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Britney Spears – Oops!...I Did Information technology Again

1 Oops!...I Did It Once more 3:31
two Stronger 3:23
3 Don't Go Knockin' On My Door

Producer – Jake*

3:xiv
four (I Tin't Get No) Satisfaction

Producer – Rodney Jerkins

four:28
five Don't Let Me Be The Last To Know

Producer – Robert John Lange

3:50
half dozen What U Encounter (Is What U Go)

Producer – David Kreuger, Per Magnusson

3:fourteen
7 Lucky 3:25
eight 1 Kiss From Y'all

Producer – Larry "Rock" Campbell, Steve Lunt*

3:23
9 Where Are You lot Now iv:39
10 Can't Make You Love Me

Producer – Jake*, Kristian Lundin

3:16
11 When Your Eyes Say Information technology

Producer – Steve Lunt*

4:06
12 Dear Diary

Producer – Timmy Allen

two:46
  • Phonographic Copyright ℗ – Zomba Recording Corporation
  • Copyright © – Zomba Recording Corporation
  • Manufactured By – Zomba Recording Corporation
  • Pressed By – Sonopress U.s. – 07592-02
  • Pressed By – Sonopress USA – 07589-01
  • Management – Johnny Wright (four), Larry Rudolph
  • Mastered By – Tom Coyne
  • Producer – Max Martin ( tracks: 1, two, vii, 9 ) , Rami ( tracks: 1 to 3, six, seven, ix )
  • Barcode : 0 1241-41704-ii two
  • Mastering SID Code : IFPI L028
  • Matrix / Runout (Variant one) : 01241417042 + + 07592-02 SONOPRESS U.s.a.
  • Mould SID Lawmaking (Variant ane) : IFPI 1004
  • Matrix / Runout (Variant two) : 01241417042 + + 07592-02 SONOPRESS Usa
  • Mould SID Code (Variant 2) : IFPI 1032
  • Matrix / Runout (Variant 3) : 01241417042 + + 07589-01 SONOPRESS The states
  • Mould SID Code (Variant 3) : IFPI 1033
  • Matrix / Runout (Variant four) : 01241417042 + + 07589-01 SONOPRESS USA
  • Mould SID Code (Variant 4) : IFPI 1035

sound.and.vision's avatar

Okay, so this may await a bit weird on my page...a Britney Spears release in amongst a lot of releases for rock bands! But im a person that will Endeavor anything in music, even if its something i perceive to be rubbish before i've heard information technology - just then that my rating and review is justified. And seeing as i have a Spotify account i can listen to any album, like this one, for free and withal within the police force.

Anyway my reason for this review aside. I grew upward with Miss Spears on the radio equally i was born in '94. So i pretty much know who she is, her shenanigans in the press and all of her hits from her debut to nowadays. And so today while listening to some classic 70s rock (Aerosmith, Bad Visitor and Buss) i thought hmm i feel like reviewing a mainstream pop album. So i picked ane at random from what was selling on ebay and up came Oops!...I Did Information technology Over again. I thought yeah i shall give this a brief decent review.

Now im currently listening to Oops!... equally im typing this and aye - i got what i expected. Teen pop (which is the style she took on in her early years) that is so over processed in the studio, with lyrics that replicate dreams that girls of 10 and under accept. So the album starts off with one of her nearly well known songs, Oops!...I Did It Over again - also the album title. Which is okay for a radio hit, i dont look highly upon much stuff played on the radio - simply its not the worst i i've heard to be in the summit ten, although it sure equally hell tin can be annoying and has the emotional depth of a puddle in summertime. I also find information technology really strange how their are no Written-By credits for this album either, and then im guessing shes just singing these lyrics not writing them besides. After the championship track we go to another well known hit by miss spears, Stronger - which simply brings back as well many memories of being young (my sister had information technology on an Early Learning Eye Cassette when i was young)...and yes its still as poppy as it was back then. The third track i dont heed actually, information technology has a actually cool beat to information technology, and mayhap thats all thats good on this album. It has a very much of a popular-lock crush to it, and the vocals are pretty alright. After that well information technology almost becomes and undistinguishable mess of over produced pop crap (i was trying to avert using that word, but lamentable it is). It all sounds the same, every track has a continual beat with no tempo changes, Britney's vocals come up in two forms nasily singing or talking (with the employ of a form of vocalism modification). The songs after 3 range between quite upbeat songs like rail 8 to slower tracks like 12 - just still nevertheless a mush of constructed drum beats and other sounds that sound like they came from a £threescore keyboard from Toys'R'Us.

What amazes me is that Britney's vocals really only take 1 tone, and accept e'er really washed...you lot never hear her singing like i of her other musical peers from the Disney aqueduct *cough*Christina Augliera*coughing*. Okay so in that location are forms of stone that are similar in the manner that they are sung in 1 tone, ane that springs to heed is Grunge, but still at to the lowest degree that music has depth to redeem it from i dimensional vocals. Peradventure Britney cannot sing any higher, or lower for that matter, than she already does and will e'er forever and a day sing with this lullaby sound...fifty-fifty if it does go a bit sultry at times (Womanizer) and then again she completely DROPS singing in that runway and merely goes for talking.....sadly Womanizer is a guilty pleasure of mine just for the vanquish that i like (it was when that sound wasnt killed by Miss GaGa, Mrs Cole and their motley coiffure that are destroying music twenty-four hour period-by-24-hour interval).